Virgo w/Sag rising. PhD. Past/present include The 405, MTV, Beats Per Minute, Pigalle Paris Radio, GRAMMYs, Bandcamp, SFGate, Guardian. Obviously a witch.
Album Review: Rosalía – MOTOMAMI
MOTOMAMI is Rosalía’s coming-of-age album. It represents a turning point in her career, a make-or-break threshold she would have to face eventually given the hype her previous album had imprinted onto her public image.
How the Summer of Love began at the Human Be-In in San Francisco
55 years ago, 25,000 people gathered in SF’s Golden Gate Park to kick-start the Summer of Love.
‘Meditation and copulation’: how 90s dance act Enigma propelled a new age revolution
Led by Romanian-German producer Michael Cretu, Enigma ushered in a mysterious new dance genre, one Gregorian chant at a time
Film Review: The Velvet Underground – A Todd Haynes documentary
Haynes captures The Velvet Underground’s ability to soundtrack the wildest astral tourism while enabling us to form a connection with what is, by nature and by default, collective dissociation.
The story of the Beatles' last official concert, which took place in San Francisco
On Aug. 29, 1966, The Beatles arrived in San Francisco to wrap up their summer tour with a show at Candlestick Park. But what might at first have seemed like an unexceptional event actually signaled the end of an era, as they had all agreed this would be their final concert. "That's it," George Harrison famously sighed on the plane back to London. "I'm not a Beatle anymore."
The paradox of Janis Joplin’s Pearl
Fifty years on, Janis Joplin‘s posthumous album remains a striking testimony of her ability to create beautiful things out of the pain the outside world inflicted on her
It's Not Always Going To Be This Grey: George Harrison's 'All Things Must Pass' At 50
On the 50th anniversary of the chart-topping, GRAMMY-nominated album, GRAMMY.com explores all the reasons why 'All Things Must Pass' remains an important landmark in George Harrison's legacy and his most enduring solo testimony.
This underground SF newspaper printed 125,000 copies of an issue. Then it disappeared.
Often considered a turning point for underground press, the San Francisco Oracle remains a key piece in understanding the impact and reach of the '60s utopian horizons.
Second Look: Black Rebel Motorcycle Club – B.R.M.C.
The somber side to an otherwise rather colorful revival, B.R.M.C. juxtaposed the remains of 60s rose-tinted nostalgia with a slightly doom-oriented pathos originating from the late 80s shoegazing in a bizarre pot-pourri that brought dirt back to rock’n’roll.
Now That I Showed You What I Been Through: 50 Years Of 'John Lennon/Plastic Ono Band'
After The Beatles' split and before 'Imagine,' Lennon recorded a jarring audio confessional that remains indelible in 2020
Album Review: Pearl Charles – Magic Mirror
Led by warm and sparkly singles “What I Need”, “Imposter”, and “Take Your Time”, Magic Mirror is deliciously referential whilst refusing to remain stuck in a particular time and space that only exists in selective memory.
How 1970 Became The Year Of Syd Barrett
50 years after 'The Madcap Laughs' and 'Barrett,' GRAMMY.com looks back at the former Pink Floyd frontman's debut solo efforts
Composer Jacqueline Thibault, aka Laurence Vanay, is an Unsung Hero of the French Underground
Sidelined by industry sexism, Jacqueline Thibault produced an innovative body of prog-leaning electronic music that should rank alongside the work of Mike Oldfield or Kevin Ayers.
This Alamo Square Victorian holds 100 years of SF counterculture history
From the Beat era to the far-out '60s, and a much less turbulent present, the house's extraordinary story eventually led to its recognition as cultural patrimony by the National Register of Historic Places in 1989.
No happy endings: celebrating Jacqueline Susann’s centenary
[originally published on thefourohfive.com]
I usually get the side-eye treatment whenever I openly declare Jacqueline Susann to be one of my favourite writers. Somehow, a best-selling author — in this case, the first with three consecutive number ones on the New York Times’ list — whose books deal mainly with female issues that are not presented in an over-romanticised manner, is often regarded as being as cheap and talentless. Funnily enough, this sort of label seems to be more frequent among female authors than their male counterpart...